Phases of close-looking are a significant part of Urna Sinha’s exploration of the living body. She finds her artistic practice in collecting evidence from destruction, decay and growth through several mediums. Her works interact with light as a physical being and the chronological techniques that facilitate its role. Her ideas are deeply inspired by the destination she reaches with making and breaking. Urna’s love for writing letters is reflected in her odes to printmaking and the everlasting spirit of organs.
With her roots in Kolkata, Urna currently practices in Vadodara, exploring the areas of origin and death through art.
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